Showing posts with label On Writing. Show all posts
Showing posts with label On Writing. Show all posts

September 18, 2013

When I'm Gone

I've never seen myself as a poet, but I do consider myself a story-teller.
I wrote this poem five years ago while watching my mother read a bedtime story to my two-year-old niece Freya. I thought about the time when my mother wouldn't be around to do this anymore, and I imagined she might write a letter to her. I've never shared this before a few weeks ago, and I'm giving it to my mother tonight.



A Letter to My Granddaughter on Her 18th Birthday (Freya's Song)

My Darling Dear
My Guinevere
Though I have been absent now
For many years
And perhaps you no longer remember my face
Covered with folds like the pages of a book we once read
Of kings and fairies
And things that might be
When you sat small upon my knee
Before succumbing to your bed

I wanted you to see, my queen
That my stories are not yet through
Though I’ve taken my place
Among the bards of yesterday
I still reach out from time and space
To tell one final tale to you

Your future is a living story
Empty pages to be written in
With ink that cannot be erased

As you start on your adventure
Do not rush towards stories end
Notice lilies in the morning
Count the stars that end the day
Real heroes are not forged in glory
But in quiet journeys along the way

The greatest deeds a champion does
Are those we do not write about

Real moments that make up our lives
Are more important in the end
Than all the dragons we have slain
Or fleeting glimpse of unicorn
These cannot match the sun at morn
Or the smile of a friend

Dream big
Act small
In kindness
And my queen
Do not forget
Each life is a chapter
In a far greater story
Written across the universe
It is the small words that weave
Our stories together
Be thoughtful with pen
When contributing
Your verse

March 5, 2013

When a Writer Takes a Vacation

       I stared at my aqua-marine messenger bag. It sat innocently on the recliner, where it had resided all week long. It saw my comings and goings, and I could feel its make believe eyes, watching me.

     “You can stare at me all you want,” I said. “I’m not taking you.”

      I was prepping for a romantic getaway to Hawaii with my husband, a trip I had been looking forward to all winter. It was going to be a week without children, family, or pets; A trip where we could lose ourselves in the moment without having to worry about anyone, or anything, along the way. This included my laptop and its accompanying messenger bag.

     “You know you are going to end up taking it,” my husband said as I arranged and rearranged my bags for the trip. “You might as well pack it now.”

     “You don’t know me as well as you think you know me. I can be strong. It just takes a little will power. That’s all.”

     “Uh-huh,” he answered and I walked away with my nose in the air.

     Maybe I had failed before but this time I could be strong. My identity wasn’t tied to my laptop. I was April before it existed and I would be April afterwards. This was my chance to prove it, to him, and to myself.

     “Besides”, I said to the bag as I threw it in the closet so it would no longer tempt me, “you’re bulky and oversized. You haven’t shed your winter weight. You’ll just slow me down.”

     As the time for our trip drew nearer I could feel the calling of the bag growing stronger, even through the closet door.

     “April, please take me. I can be a lot of help. Whenever you have a great idea I will be there for you. You wouldn’t want to lose that great idea, would you?”

     Shut up.

     “And if you leave me for a week you may lose that flow that’s been going so well in your novel. You could forget character details and motivations. And you will just get further behind on finishing it. Didn’t you say you’d have that second draft done by mid-March?”

     Shut up!

     “Please! I really want to see Hawaii! You won’t even know I’m there.”

     I hate to admit how obsessed I was and how the dilemma had cast a shadow over my trip. I was feeling a bit like Anthony Hopkins character (a ventriloquist) in the movie Magic. By the end of the movie the dummy and the ventriloquist had become so infused with one another, the audience wasn’t able to discern who was who anymore. My laptop had become my dummy, and it was really starting to creep me out.

     “Just take it,” my husband said again as I was recounting the reasons it needed to stay home.

     “No. I’ve made up my mind.”

     “Yeah. We’ll see.”

     On the day of our trip we packed our car, pulled out of our driveway, and rambled down the street that would lead us to the freeway. Having successfully left my bag in the house, I was feeling rather smug and was about to give my husband a great big I told you so lecture. But before we could make it out of our subdivision the panic set in.

     “Stop!”

     My husband looked at me, smiling. “You want your bag don’t you?”

     “Yes,” I nodded meekly. “I feel like a mother who forgot her child at the supermarket.”

     “Well, you lasted longer than I thought you would. It’s a good first step.”

     “I had just really hoped…”

     “It’s your safety net and your umbilical cord, and there’s nothing wrong with that. Even if you don’t write one word on our trip, you will be happy it came along.”

     He pulled into our driveway and I rushed into the house, cursing all the way. I threw my archaic, seven-pound laptop into my messenger bag, found my thumb drive, and ran for the car.

     “You are going to break my shoulders and make me use an extra bin in security,” I scolded it as we drove. “It’s because I lug you around all day that I have to go to physical therapy for my back.”

     “But you would have missed me so much.” It answered.

     “Yes. I know.”

     My husband shook his head. “You know I’m sitting right next to you? I can hear your imaginary conversation with your bag.”

     “Don’t listen to him,” the bag said. “He doesn’t love you as much as I do.”

     “I know.” I answered.

     “You’re insane,” my husband said. “But I love you.”

     “Just drive,” I directed him. And he did.

February 19, 2013

More Quirky Fun for 99 Cents

Just bumping my book...

If you like my writing give this a try. Its an offbeat love story about a woman, four men, her menopausal mother, a walking condom, and true love.

It will have you laughing (and thinking) the whole way through.

The Universe is a Very Big Place (on Amazon)

February 7, 2013

It All Started with Nancy Drew

      It was the summer before fifth grade and I had just turned eleven. Once again, I would be the newkid in school and I spent several weeks staring out the window, picking apart the girls who walked by, trying to guess by their mannerisms and clothing if they would accept me.

     By nature I wasn’t shy but years of moving around, sometimes cycling through two or even three schools in a single year, had taught me to be…careful. By studying the locals first I could copy them, lessening the risk that that I would spend my lunch hours alone, pretending to read a book.

     As I peered through the window, a cranberry sedan pulled into my driveway. I watched as two figures talked in the front seat. Eventually they emerged, carrying several large sacks and boxes. I recognized them as my grandmother and her new husband whom I hadn’t seen in over a year.

     I could hear excited squeals as my mother and siblings ran out to greet them, but I stayed sequestered in my room. I was at the age where family affairs took a back seat to more pressing issues, like my quest for popularity. A knock on the door let me know that my lack of presence had been noticed. I opened the door to find my new step-grandfather standing there, a small bag dangling from his hand.

     “Thought you might like this,” he said, handing me the bag. “I picked it out myself.”

     I raised a suspicious eyebrow at him. “You did? Why?”

     “Well, we’re both newcomers to this family. We have to stick together.”

     I took the bag and pulled out a yellow and blue hardcover book. I searched the rest of the bag, hoping for something else, like money.

     “Nancy Drew,” he explained. “My daughter loved it when she was your age. I thought you might too.”

     “Okay,” I said. I took the book, closed the door, and flung it on my bed.

     Dusk had settled and the neighborhood quieted as kids were summoned into their houses for supper. My mom announced that it was Shepherd’s Pie for dinner, and I faked a stomachache. With nothing else to do I fell onto the bed and opened the book. Anything was better than Shepherd’s Pie.

     I had read books before. I had grown up on the staple of children’s books available at that time,
works by Cleary and Blume. But there was something different about this book. I wasn’t just reading the story. I was immersed in it.

     Maybe it was because Nancy was my first grown up protagonist. Through her I was transported to an adult world where girls were allowed to make their own decisions, date, and drive. In addition, she was bright and curious, traits my teachers also accused me of, and I felt a kinship with the ‘girl detective’.

     The more I read about Nancy the more I loved her. I dove into the book, coming up for air and food only briefly and at the insistence of my mother, and had the entire novel read in one long weekend.When I closed that last page I was confronted by an emotion I had never experienced when reading a book: loss.

     I was never going to see Nancy again!

     The realization, along with prepubescent hormones, made me burst into tears.

     I couldn’t lose Nancy. I just couldn’t. I picked the book again. I wasn’t ready to part with my new heroine, and I would simply read it again. That’s when I noticed a long list of other titles on the back of the book. Nancy solved many mysteries, not just this one!

     From that day on, I was hooked. I begged my mom for odd jobs to earn enough money to buy another book. It wasn’t enough to borrow them from the library, I needed to own them. To possess them. I couldn’t bear to part with one, after it had become such a part of me. Whenever I was alone, I would look at my bookshelf – which was growing rapidly – and know that I had a friend there. All I had to do was open a book.

     Nancy taught me a lot that summer: I learned new vocabulary words including “chided” and“titian-haired” and “sleuth”. I learned that there were sinister people in the world but if you were pure of heart you could overcome them. And I learned that just because you lost one parent, it didn’t mean you were lost.

     Admittedly, Nancy also got me into trouble. I started seeing clues, and secret passages and mysteries everywhere. I tried to convince my little sister to climb into the heating duct because I was sure there was treasure hidden there (luckily she didn’t). And once I had my parents call the police because I was convinced I had witnessed a murder. I had been out riding my bike and was sure a man had threatened a woman with a knife. Upon investigation, it was determined to be a pork chop bone.

     When school started I was a different person, poised and ready to take on the world. Nancy could do it.

     So could I.

     That year I strode into the classroom, not caring at all what I was wearing. I took my seat among a classroom of strangers, smiled confidently, and raced through my schoolwork so that I could read the next chapter of a really good book. I must have been intriguing to the other girls, for I never sat alone at the lunch table. Even when I wanted to.

     In the years since fifth grade my tastes have changed, but my love of a good story hasn’t. Every time I pick up a new book, my fingers twitch, my mouth goes dry, and my heart races. I’m off an adventure and I just can’t wait to get started.

     I still feel a sense of loss when I read those two dreaded words: The End. But with the help of a Kindle and a Nook, I’ve learned to curtail my book hording tendencies. I don’t need to see them in order to be transported back. I will always have them. I just have to remember.

*
By April Aasheim. Originally published on TheIndieExchange.com Feb 5, 2013

December 13, 2012

Reminder: My book The Universe is a Very Big Place is available for download free today on Amazon. Also tomorrow.

De 13 and 14th only. Happy Holidays!

My Book Free Dec 13 and 14!

October 5, 2012

How To Come Up With Story Ideas

Story ideas
You’re sitting there, staring at your computer, willing your fingers to type. There’s a story in your head somewhere, you just need to squeeze it out. Minute by minute, hour by hour, nothing comes. What some people call writer’s block, I call ‘inspirationally barren’, and when you’re a writer, nothing feels worse. So here are four ways I call upon inspiration when my imagination seems to have given up.

1. My Childhood




Though I didn’t appreciate it at the time, I now realize that I was fortunate enough to have an interesting childhood. My parents were dreamers, always moving from one town or city to the next, hoping for their big break. They traveled the carnival circuit, mined for gold, and for a short time lived in the suburbs holding down ‘respectable’ jobs. Subsequently, I was exposed to a variety of people and places that have crept, and often leapt, into my stories.
For those writers who complain that their childhood was boring and normal and nothing worth writing about, I say you haven’t looked hard enough. A run through the sprinkler on a hot summer’s day can be a nostalgic point of remembrance for the protagonist who knows she is dying. The PTA meetings your mother religiously attended may have been a front for a witch’s coven. The boy who ate the same peanut butter sandwich every day throughout Jr. High, may have really been an old man who discovered that the combination of peanuts and Wonder bread reversed the aging process. Reality? Probably not. But that’s not the point. Childhood is full of wonder and possibilities and when we think back on those experiences and examine them under the microscope of imagination, we have more stories to tell than we have years to live.

2. Public Transportation

Many of my writer friends say that they find inspiration in restaurants and coffee shops. They claim that people, when nestled within the secure confines of their tables and booths, will speak as freely and inanely as they do in their own homes. I agree. I’ve gotten lots of inspiration from food court eavesdropping. I once heard a woman saying that she wanted to dye her toddler daughter’s blonde hair a dark brown so that she could compete in The Little Miss Kardashian Pageant (horrifyingly, no joke). But while restaurants are good for people listening, I find public transportation the way to go for people watching.
If you’re lucky enough to find an unclaimed spot in the corner of a bus, subway, or train, you can witness human interaction at its most real. There you will find people of all walks of life, the young and the old, the suits and the slackers, the sexy and the sexless, sharing a few minutes together before moving on to their ‘real lives’. While you can hear snippets of conversation, it’s the body language that’s really fun. The look of uncertainty on a prim woman’s face as a leather-clad man plops down beside her. The way an old woman’s eyes mist up as she watches a young mother bouncing a toddler on her knee. The way a businessman looks out the window and then at his watch repeatedly as he taps his fingers against his briefcase. Fear. Love. Lust. Loss. It’s all there for you to interpret and restructure. A traveling human zoo. Next stop, inspiration town.

3. Friends and Family.

These are the people you know well: The ones you grew up with, the ones you hang out with, the ones you call at night for reassurance that you’re still pretty when your husband ogles the Dunkin Donuts girl. You know their mannerisms, their slang, their manner of dress, and their annoying habit of revealing the end of the movie while you are watching it. So why not write about them?
Friends and family are a great source of inspiration. You can learn more about the human condition by listening to those closest to you than you could by watching one-hundred hours of the evening news. What drives them? Compels them? Makes them yearn? You may know them but do you really know them? Find out why your best friend is always late to parties or why your brother compulsively collects souvenir spoons. The people of your inner circle represent the masses. Tell their story, or at least part of it.
A word of caution: Writing about people you know requires a degree of understanding and sensitivity. The goal isn’t to write a tell-all book of dirty secrets, but rather to reveal the depths that exist within the familiar.

4. The Unknown.

It’s easy to get stuck in a rut. As a writer I know that I can spend days, even weeks, locked in a room with just a cup of coffee and a laptop to keep me company. And nowadays, if I’m ever really in need of socialization, I can just pop onto Facebook or Twitter, gab with the gang for a few hours, and get back to work. It’s only when I’ve eaten the last of me Lucky Charms and head out to the grocery store, blinking back the sunlight like a mole-person, that I realize I haven’t done anything new or noteworthy in days. The point: If you are really stuck for ideas, you may be stuck in your life. When was the last time you took a new route to work? Met someone new? Where did you spend your last vacation? If your mind is as a blank as your sheet of paper, perhaps it’s time to shake things up.
An example: A few years ago I found out that my brother belonged to a group of individuals that protested “work”. Who would protest work, I wondered, and I immediately wanted to meet them. My brother took me by bus (see #2) to a section of town I had never seen before. Most of the houses were boarded up and looked like they had been condemned. We found our building, a dilapidated structure with an Anarchist flag flying from the window, and gave the ‘secret knock’ to gain entrance. A thin man ushered us into a large room where everyone was gathered around a table. The leader preached about the evils of work, rules, and government, while secretary took notes and kept minutes. We were then asked who could donate books for the annual book sale. Next, we were escorted into a room for ‘chorus practice’, where we chortled along to anti-employment tunes such as the classic: “Aint gonna work no more, no more, while we sipped from a flask of whiskey. The meeting was finally closed as a tin collection plate was passed around the room, and we all emptied our pockets of the change we had gotten by somehow not working. Needless to say, that one experience provided me with enough material to tell many stories. Since then I’ve been a staunch proponent of new experiences. Embrace new experiences. If we aren’t living life, then what makes us worthy of writing about it?

(Originally written for The Indie Exchange Oct 2012 by April Aasheim http://theindieexchange.com/how-to-get-ideas-for-stories/)

September 6, 2012

Diary of an Indie Writer - Step 1

Me, an Indie Writer?  It wasn’t something I had even considered before last year. In fact, if anyone had told me just twelve months ago that I would independently publish my novel The Universe is a Very Big Place, I would have shook my head, laughed, and dismissed them as one pepperoni shy of a full pizza. Self-publishing, at least in my head, was still stigmatized, regulated to those who weren’t good enough to be paid for their work; an army of untalented keyboard peckers who produced pages of nothing but typos and gibberish. Even the term ‘self-publishing’ sounded dirty, like those who participated in this particular activity would go blind or come down with some disease they’d have to treat with online pharmaceuticals.  A real writer, like me, would rather starve to death in some shack waiting for her ‘big break’ than to risk the public humiliation of ‘self-publishing’. I had an ego to maintain. I couldn’t be caught doing something like that. Not in public anyway. Not under my real name. At least that’s what I thought anyways. Back then.

I can’t recall the exact moment when my view on self-publishing changed. I do know that it wasn’t a quick lightning strike to the psyche that awakened me, but a gradual slide in my decade-long publishing consciousness. It began when a good friend of mine – who had been trying to land a publishing deal for years – finally got fed up with the whole system. She was a great writer but her books were too different from what was currently being published. They weren’t quite sci-fi enough, romancey enough,  vampirey enough. They were too…unique, and therefore, too risky.

She didn’t let this get her down and I watched, sometimes with one hand over my eyes, as she took the self-publishing leap. She placed her books on Amazon, Barnes and Noble, and Smashwords.  I marveled that somehow, the wheels that move the literary world kept turning. She wasn’t mocked, teased, or forced to testify on Judge Judy. In fact, in the vast internet universe she found her audience and they not only accepted her uniqueness, they appreciated it. She’s a cult hero now, at least in some segments of the world. And I hear they have erected some three-headed idol of her somewhere in the South Pacific.

My second paradigm shift occurred at a writer’s conference last summer. It is an annual event and just two years ago I had pitched my manuscript to several agents who were in attendance. I had some success and several of the agents agreed to represent me, contingent upon a few, small, necessary changes in the novel. Deepen the characters. Remove twenty thousand words. Add thirty thousand words. Take all the pages, throw them up in the air, see how they land, and leave them in that order. Every suggestion differed from the last, and though I tried to incorporate many of them (and admittedly some did improve my book) I started to feel like the main theme– finding love twice in one lifetime – had been lost.

It took a good deal of time and distance to find my way back to my original story, and when I felt like I had, I presented it to the agent who had been my biggest supporter. “I don’t take on clients anymore,” she said, as I shoved my sparkling new manuscript in her direction, “I only advise people on how to independently publish now.” She let me know that ‘everybody is doing it’ and left me staring open-mouthed as she sauntered down the corridor to present to a standing room only audience on the joys of formatting mobi files.

What finally sold me on self-publishing, however, was that as I continued to search for agents and publishers  I began to notice that they expected the authors they represented, especially new authors, to do a majority of the work themselves. While they may take my manuscript, turn it into a beautiful book, and get it into book stores, they expected me to do most of the PR alone. Many even have a form you fill out on their website prior to submitting:  Do you tweet? Facebook? Have a website? Can you pimp yourself out to the media? No? Well, move along, nothing to publish here.

Heck, I thought.  Finding someone to represent my work was a lot like looking for someone to have a one night stand with: too much work for something I could just as easily do myself (at home). I had a revelation. I didn’t need anyone. I could publish the type of book I wanted to publish, the way I wanted to publish it, find it an audience, and a home. If everybody really was doing it, why not me?

And so I made the decision to do it alone. But as I discovered, I wasn’t alone. There were whole communities out there, talented people who were making a go of it themselves, and I met some amazing people who helped me every step of the way.

I forgot to mention one other reason I did it, and it may be the biggest reason of all. Why? Because it appeals to my big, writer’s ego. It’s not called self-publishing anymore. It’s called Indie publishing. How cool is that? It makes me want to put on a leather jacket, some dark glasses, and go find a coffee house somewhere I can churn out more novels. Yeah. I’m cool. I’m an Indie Writer. You got a problem with that?


originally published at Theindieexchange.com
http://theindieexchange.com/my-journey-as-an-indie-writer-step-1-the-decision/

August 29, 2012

The Next Big Thing (What I'm Working On)

I've been tagged to write about my current work in progress in week 10 of The Next Big Thing. Here are the questions and my answers.


What is the working title of your book?

Right now I'm torn between Maggie Magick and The Witches of Dark Root. My husband says that Maggie Magick sounds like a book for an eight-year-old so...that may be the deciding factor.


Where did the idea come from for the book?

The two things I love to write about are magic and family dynamics. So one day, while daydreaming, I thought about what it would be like to really combine the two into one book. I was pretty excited!

What genre does your book fall under?

Hmm...I'm guessing fantasy. But it's also really grounded in realism. It was important to me to let the magical parts of the book be secondary to the real world setting. I never wanted to go over the top with this project.

Which actors would you choose to play your characters in a movie rendition?

I like the girl from The Hunger Games. Think I can get her? :)

What is the one-sentence synopsis of your book?

Maggie is a young woman with magical powers who left home to get away from her 'witchy' upbringing, but now she has to return to her hometown of Dark Root, Oregon to set things right with her family and learn the true nature of her gift.

Will your book be self-published or represented by an agency?

Unsure at this point. I think every story needs a home. I will find it a home one way or another.

How long did it take you to write the first draft of your manuscript?

I am still about 15,000 words from finishing the first draft, but the end is in sight. It took me almost a year, but that wasn't straight writing. A lot of the time was spent thinking about the characters and the plot line. Its more intricate than the other books I've written. I should be done with the first draft in two weeks.

What other books would you compare this story to within your genre?

The only other book that I know of is Practical Magic. The blending of realism with witchcraft, along with the sibling relationships, is pretty comparable.

Who or What inspired you to write this book?

My childhood. I've always been fascinated by family dynamics. I was the second oldest of six children and we had our own mini-political system in the family. Any time I get to explore that I am happy. We also had somewhat of a magical upbringing. My mother possessed some unusual, if not downright spooky powers at times. It intrigued me.

What else about your book might pique the reader’s interest?

Well, there are no shades of grey in the book, but there are some blurry lines between light and dark. Maggie has to learn how to use magic effectively, tapping into the good stuff, without straying into the bad.

If you like books about witches, sisters, small towns, and mysterious backgrounds, you might really enjoy this one.


Thanks JC Andrijeski for tagging me! http://jcandrijeski.blogspot.in/2012/08/the-next-big-thing-war-allies-war-book.html#links

Rules

***Answer the ten questions about your current WIP (Work In Progress) ***
Tag five other writers/bloggers and add their links so we can hop over and meet them. It’s that simple.

Ten Interview Questions for The Next Big Thing

  1. What is the working title of your book?
  2. Where did the idea come from for the book?
  3. What genre does your book fall under?
  4. Which actors would you choose to play your characters in a movie rendition?
  5. What is the one-sentence synopsis of your book?
  6. Will your book be self-published or represented by an agency?
  7. How long did it take you to write the first draft of your manuscript?
  8. What other books would you compare this story to within your genre?
  9. Who or What inspired you to write this book?
  10. What else about your book might pique the reader’s interest?

Meditations on The Shadows of Dark Root

I may have gotten a bit metaphysical during the creation of The Shadows of Dark Root. I always knew I wanted Maggie and her companions to j...